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sion process, but due to the structure of the DD+ bitstream, the content from those channels is retained in the converted Dolby Digital stream by means of a downmix process that occurs in the Dolby Digital Pus encoder during the production process However, only the 51 downmix of streams originally with 61 or 71 channels will be heard Second, most of the extra features of Dolby Digital Plus have the greatest effect at very low encoding rates rather than at the data rates one would typically expect on a Blu-ray disc DD+ is able to retain its level of perceptual quality at lower data rates, but in the moderate and higher data rate ranges that are more consistent with what would be expected to be used on a BD disc, the difference in quality between AC-3 and DD+ is actually quite small Even though DD+ can support data rates as high as 47 Mbps on BD, such high rates would offer little perceived improvement to the audio experience in a 51-channel surround environment

A good match between a developer and a learner is just as important as the developer s coaching skills The following information provides important guidelines when pairing developers and learners

Identify defects and perform repair based on the underwater inspection: Based on underwater inspection reports, the following typical defects were found to exist for scour critical bridges:

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Table 121 Case studies and underwater inspection results Item Spalls in abutment concrete Delaminations and cracks in substructure concrete above water Voids in breast wall Debris accumulation Mortar loss in masonry joints Undermining Broken stone masonry Spalling in foundation Missing or broken riprap Cracks in apron around piers Silting Advance section loss of structural members Remedy Surface repairs with approved patch material Pressure grouting Epoxy grouting Cleaning debris Repointing mortar Plug with concrete Place stone and ll with mortar Pressure grouting Replace by R-8 size stone Repair concrete apron Dredging Strengthening member Underpinning Place riprap around piers Use grout bags Nonshrink grout Alternate

For those who have followed DVD-Audio, Dolby TrueHD is a familiar technology under a different name Dolby TrueHD is, essentially, the marketing name Dolby Laboratories uses for Meridian Lossless Packing (MLP), the lossless compression scheme developed by Meridian Audio, Ltd, but licensed by Dolby Labs MLP was the codec of choice preferred by the recording industry for providing lossless audio compression on formats such as DVDAudio Capable of delivering the exact same quality as uncompressed Linear PCM audio but usually at much better compression rates, Dolby TrueHD provides an excellent alternative in cases where disc space or bandwidth are a concern One important advantage that losslessly compressed codecs, such as, Dolby TrueHD and DTS-HD Master Audio (defined in the following section) have over Linear PCM is the ability to include a lossless downmix in the stream For example, an 8-channel Linear PCM stream contains eight discrete audio channels that are all expected to be heard by the listener However, if your sound system only has six or even just two speakers, you will not be able to hear the full Linear PCM presentation A Dolby TrueHD 8-channel stream, however, is required to also include both a 6-channel and a 2-channel downmix, each of which is losslessly encoded This has almost no impact on the data rate and file size, but provides for a greatly improved listening experience no matter how many speakers you have One difficulty with Dolby TrueHD, however, is that it is a variable bitrate (VBR) coding scheme That means the data rate of the stream fluctuates over time depending on the complexity of the audio being compressed This can be a problem when the variable bitrate audio is combined with variable bitrate video, which can lead to unexpected multiplexing issues due to peak data rate overruns In areas with intricate high frequency detail, which is difficult to encode, the data rate of a stream may reach levels as high as an uncompressed Linear PCM stream, while in other areas it may be dramatically lower Although the Dolby TrueHD encoder uses a complex scheme to minimize peak data rates, some peaks may be unavoidable The operator cannot simply specify data rate limits as one would do for variable bitrate video because doing so would require changing the audio data itself, making it no longer lossless Because Dolby TrueHD is a lossless compression method (a key difference from VBR video encoding), it can only ensure a lossless encode by being allowed to raise the data rate.

Overall condition of bridge substructures can be assigned the following NBIS condition rating: Very good condition no problems noted Good condition some minor problems Satisfactory condition structural elements show some minor deterioration Fair condition all primary elements are sound, but may have minor section loss, cracking or spalling Poor condition advance section loss, deterioration or spalling of primary structural elements

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