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The value of a KM initiative to secondary stakeholders the investors, the competition, the government, and outside services may not be as direct as it is to the primary stakeholders, but it can be just as great. For example, the value of a KM initiative, to investors of all sizes, from the board of directors to knowledge workers with stock options and retirement plans, can be profound if it affects the corporation s bottom line. The value of a KM initiative to the competition depends on its success or failure. Although the competition may welcome the failure of the initiative, it can gain from a successful initiative, in that it can learn what KM approaches work in its industry. The government also gains in that it receives revenue from sales activity of products and services as well as any increase in corporate valuation. Every business operation involves the government as a third partner. Corporations must abide by government regulations regarding everything from employee pay to termination procedures, working conditions, and payment of taxes. Various outside services pertain directly to the KM aspects of the business and have a stake in a KM initiative. These include consulting firms, equipment manufacturers, computer hardware and software vendors, and training companies.

FIGURE 14.30 Selecting Shallow or Deep from the Knockout pop-up menu determines how deep a hole you re going to punch through the layers of your image.

The dashboard is the CEO s killer app, making the gritty details of a business that are often buried deep within a large organization accessible at a glance to senior executives. Giving the Boss the Big Picture, BusinessWeek, Feb. 13, 2006

The previous makeover demonstrated that the creative uses of sharpening tools can give you some pretty dramatic makeover alterations of line-art images. You can use a similar range of sharpening-based creative makeover possibilities to jazz up photographic images as well. Here s an especially cool one.

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1. Open the advanced Recordset dialog box by clicking the Add (+) button on the Bindings panel and choosing Recordset (Query) from the drop-down list. 2. Select the appropriate connection, connDBA. 3. Begin building the SQL query by expanding the Tables tree in the Database Items section, and then selecting LOCATIONS. Select LOCATION_NAME as the column under LOCATIONS. 4. With LOCATION_NAME highlighted, click SELECT.

Here are some details about your options in the Exposure dialog box: n Exposure: This slider does just what you d expect: It increases or decreases exposure, depending on how far you drag it to the left or right. Drag to the right, and the image brightens; drag to the left and it darkens. Sometimes, this is the only slider you need to use, depending on the nature of the problems caused by the exposure of the original image. If the colors look fine after just a slight increase in the exposure (brightening an underexposed image, for example), you won t need to tinker with the other two sliders at all. On the other hand, if sliding the Exposure setting in either direction creates colorful havoc, the Offset and Gamma sliders (to be explained next) may need a tweak. n Offset: Set to 0.00 by default, increasing it both decreases contrast and brings all the pixels closer to gray. Decreasing the Offset increases contrast and brings all pixels closer to black.

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The preceding code adds three leading zeros to all values supplied by the end user who completes the form field. If you want to add different characters as a suffix or prefix, enter the values you want within the quotation marks. To add a suffix, use

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9. Right-click (Windows) or Control-click (Mac) on the image and choose Convert to Symbol. Change the Name to second_image and set the Type to Movie Clip; click OK. 10. From the Property inspector, choose Alpha in the Color list and make sure that the value is set to 10%. In the timeline, place your cursor on frame 40 of the Image 2 layer. Right-click (Windows) or Controlclick (Mac) and choose Insert Keyframe. Select the image on the stage and, in the Property inspector, change the Alpha value to 100%. Right-click (Windows) or Control-click (Mac) any standard frame from 21 to 39 and choose Create Motion Tween. If you drag the playhead now between frames 20 and 40, you can see the first image cross-fading with the second (Figure 7-11). This is exactly the type of effect you are looking for. Now you can complete the transition for the second image.

Nonredundant representation of f (x) on multiple scales is a goal of wavelet theory. We achieve this goal in considering the subspace Wj, the orthogonal complement of Vj in Vj 1 . By orthogonal we mean Vj > Wj {0}. By design, Vj and Wj span V j 1 , for example Vj 1 Vj Wj (3:108)

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A set of arguments Y is conflict free if no argument in Y attacks some other argument in Y. A conflict-free set of arguments may be thought of as being

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